I explore the intersections of painting, drawing, and calligraphy, guided by the conviction that science is, when truly understood, a penetrating, all-encompassing intelligence—one that illuminates not only observable phenomena but the hidden architectures shaping our existence, from molecules to civilizations. Science, to me, is far more than a tool for measurement or control. It is a philosophical lens, a way of comprehending the nature of our existence in this remote corner of the cosmos. When approached deeply, it reveals a poetic logic and a sublime intelligence that resonate with the intuitive and emotive realms of art.
Trained in biochemistry and informed by decades of experience in finance, I approach art through layers, systems, and interactions. My paintings emerge through iterative cycles of applying, etching, erasing, and reapplying paint, oil stick, clay, and Sumi ink with unconventional tools—metal chopsticks, scrapers, tree branches, brooms, etc. Each gesture becomes part of a living system: colors separate and converge like chemical reactions, forms accumulate like data, and textures signal shifting states. Every layer influences the next, by leaving its traces, just as the layers of our lived experiences do.
My process mirrors the logic of scientific inquiry. I set conditions, observe outcomes, and allow uncertainty to reshape expectations. The resulting images are deconstructed and reconstructed, veiled and revealed, dissolved and reformed. They reflect the hidden currents that connect nature, technology, and human cognition.
Rather than illustrating systems, my work enacts them. Through layering, removal, interaction, and response, the paintings embody the tension and harmony between precision and ambiguity, structure and flux, rationality and intuition. They seek to create a space where the poetic intelligence of science can be felt—where its depth, wonder, and connective power become visible through material form.